Apr 032017
 

Author Martin M. Goldsmith was born 6 November 1913 in New York City and died in Sherman Oaks, Los Angeles, at the age of 80, on 24 May 1994. He wrote several acclaimed screenplays, including Detour (1945), adapted from his 1939 novel of the same name; Blind Spot (1947); and The Narrow Margin (1952) which earned him an Academy Award nomination.

He and his wife – Estela Quinn-Oaxaca (sometimes known as Stella), the younger sister of movie star Anthony Quinn – lived in Ajijic for a short time in the mid-1960s, while he was working on scripts for the TV series The Twilight Zone (1964).

Goldsmith, born and raised in New York City, left school at the age of 15 and spent several months hitchhiking and hopping freight trains across the U.S. By his early twenties, Goldsmith was selling the occasional story to magazines, and had moved to Mexico, where he wrote his first book, a crime novel entitled Double Jeopardy, published in 1938. By this time he was back in New York and about to move to Hollywood.

Once in the film mecca, Goldsmith took a job as a stage hand to get a close-up look at how movies were made. He completed his second novel, Detour, which was published in 1939. In 1944 Goldsmith sold the film rights to the Producers Releasing Corporation (PRC), with the proviso that he write the screenplay. Using Goldsmith’s meticulously detailed screenplay which included lighting and camera angles, director Edgar G. Ulmer was able to shoot the entire movie in less than a week. The 1945 movie is now recognized as a film noir classic and was added to the National Film Registry in 1992.

Thereafter, Goldsmith and his wife seldom lived in any one place for very long, preferring an itinerant life to staying in the Hollywood limelight.

For a time, the couple returned to Mexico. His screenplay The Lone Wolf in Mexico (1947) is about a good-natured jewel thief, while a coastal fishing village became the setting for his well-received comic novel The Miraculous Fish of Domingo Gonzales (1950). The Kirkus Review compared “this light, satiric, fanciful fable of the coming of civilization (from America) to Puerto Miguel (Mexico)” favorably to Steinbeck’s Tortilla Flat, concluding that it was “a pleasantly entertaining chronicle of the doubtful benefits of today’s advancements”, with “a bubbling sense of local character and event”. The novel is set in a small, sleepy fishing village which is “developed” (and in danger of being corrupted) when an American buyer of shark livers comes to town to do business with laid-back, deadbeat shark fisherman Domingo Gonzales.

Both Martin and Estela had pilots’ licenses, and whenever they had the funds and the opportunity, they would travel. They lived in numerous different countries, leading to significant gaps between Goldsmith’s credits. From the mid-1960s on, Goldsmith and his wife spent more time traveling than writing.

In 1964, we learn from Anita Lomax, writing in the Guadalajara Reporter, that “noted Hollywood writer Martin Goldsmith and his wife Estelita (a sister of Anthony Quinn) who flew here in their Piper Comache … are staying a while with us in Ajijic at Casita Mas o Menos”. Three years later, Lomax reported that another Hollywood couple, Abner and Sybille Bidderman, who had first heard about Ajijic from the Goldsmiths, were visiting Ajijic.

Martin Goldsmith wrote more than a dozen screenplays, including Dangerous Intruder (1945); Detour (1945); The Lone Wolf in Mexico (1947); Blind Spot (1947); Shakedown (1950); The Narrow Margin (1952); Mission Over Korea (1953); Overland Pacific (1954); Hell’s Island (1955); Fort Massacre (1958); The Gunfight at Dodge City (1959); Cast a Long Shadow (1959); Point of Impact (1959); What’s in the Box (1964); The Encounter (1964); Narrow Margin (1990).

His TV scripts included episodes of Playhouse 90 (1958); Natchez (1958); Goodyear Theatre (1959) and The Twilight Zone (1964).

Goldsmith’s books included Double Jeopardy (1938); Detour: an extraordinary tale (first published in 1939); Shadows at Noon (1943), a fictional account of an enemy attack on Manhattan; and the comic novel The Miraculous Fish of Domingo Gonzales (1950). He also wrote Night Shift, a stage play which ran for 24 performances at the Labor Theater in New York in the fall of 1977, and an autobiography which was never published.

According to Richard Doody, when Goldsmith’s publisher asked him what to tell his readers about his life, “the author replied that it was enough to say that he was there yesterday, here today and “… God knows where I’ll be tomorrow.””

After a prolonged period of declining health, Martin M. Goldsmith died on May 24, 1994.

Sources:

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Feb 272017
 

Famed Hollywood writer Lorenzo Semple Jr. lived at Lake Chapala in the 1950s and returned several times thereafter. While living in Ajijic, Semple wrote The Golden Fleecing, a play that was produced on Broadway and subsequently turned into a movie. Semple is best-known for creating the big-screen and TV character Batman.

Lorenzo Elliott Semple Jr., whose uncle Philip Barry wrote Holiday and The Philadelphia Story, was born in New Rochelle, New York, on 27 March 1923 and attended Yale University for two years. He dropped out of Yale in 1941 to join the Free French forces led by General de Gaulle. He won the Croix de Guerre for ambulance-driving in the Libyan desert. Semple later served in the U.S. Army and won a Bronze Star.

Credit: The Aspen Times

Credit: The Aspen Times

After the second world war, Semple finished his degree at Columbia University before starting his writing career in the early 1950s as a critic for Theater Arts magazine and contributor of short stories to The Saturday Evening Post, Collier’s, Women’s Home Companion and Ladies’ Home Journal.

Even though the precise dates when Semple lived in Ajijic remain unclear, before the 1950s had ended, he had written two Broadway plays – Tonight in Samarkand (1955) and The Golden Fleecing (1959), which was later adapted for the screen as The Honeymoon Machine, starring Steve McQueen – as well as several scripts for the small screen, including The Alcoa Hour (1955); Target (1958); and Pursuit (1958).

The strongest evidence that he wrote The Golden Fleecing in Ajijic comes from a short piece by Anita Lomax in the Guadalajara Reporter in 1967 in which she laments that Ajijic is losing its reputation as “sin city” and is becoming too respectable. She cites the case of a “Young playwright whose play, written here, was produced on Broadway and subsequently made a small fortune from the movie rights which he promptly spent. But he now lives in a Beverly Hills mansion with his beautiful wife and children since creating T.V.’s sensational Batman series.” The same newspaper reported in 1971 that Semple had returned to Lake Chapala for the first time in eight years, vacationing with his wife Joyce and their three children in Chula Vista, at the home of Dick Reiner. Semple told the Reporter correspondent that he thought people were getting tired of having to pay $3 to see a movie!

Semple married Joyce Miller in 1963. Their eldest daughter, Johanna, was born in Guadalajara in April 1963. A year later, they had their second daughter, Maria. The family moved to Spain in 1965. Following their return to Hollywood, they had a third child, Lorenzo (“Lo”), born in about 1967. Later, the family lived for more than two decades in Aspen, Colorado, before eventually moving back to Los Angeles.

It was while the family was living in Spain (1965-66) that Semple was asked by producer William Dozier to develop a television series based on the Batman comic books. The series was an immediate hit. Semple wrote the first four episodes, consulted on all the first season’s scripts and also wrote the screenplay for the feature film version, released in 1966.

After Batman, Semple completed numerous movie screenplays, often in association with other writers, including Pretty Poison (1968), which won best screenplay at the New York Film Critics Awards; Daddy’s Gone A-Hunting (1969); The Sporting Club (1971); The Marriage of a Young Stockbroker (1971); Papillon (1973); The Super Cops (1974); The Parallax View (1974); The Drowning Pool (1975); Three Days of the Condor (1975); King Kong (1976); Hurricane (1977); Flash Gordon (1980); Never Say Never Again (1983), in which Sean Connery reprised his former role as James Bond; Sheena (1984); and Never Too Young to Die (1986).

From 1984 to 1990, Semple taught graduate screenwriting at New York University. His students included John Fusco (Young Guns and Hidalgo), Susan Cartsonis (What Women Want) and Stan Seidel (One Night at McCool’s).

Lorenzo Semple Jr. died of natural causes at his Los Angeles home on 28 March 2014, one day after his 91st birthday.

Maria Semple (Semple’s middle child) is also a novelist and screenwriter. She has written several novels – including This One Is Mine (2008), the best-selling comedy novel Where’d You Go, Bernadette (2012), and Today Will Be Different (2016) – as well as TV scripts for Beverly Hills, 90210, Mad About You, Saturday Night Live, Arrested Development, Suddenly Susan and Ellen.

Sources:

Sombrero Books welcomes comments, corrections or additional material related to any of the writers and artists featured in our series of mini-bios. Please email us or use the comments feature at the bottom of individual posts.

Jun 132016
 

Miles Swarthout was the son of award-winning novelist Glendon Swarthout (1918-1992) and his wife Kathryn Vaughn (1919-2015). Miles was born on 1 May 1946 and died on 2 March 2016.

As a five-year-old child, Miles spent six months in Ajijic in 1951 with his parents, while his father worked on a novel, Doyle Dorado, later consigned, in Miles’ words, to “the stove, making hot water for Dad’s shower.” His father’s short story “Ixion” was the “semi-autobiographical story of a young advertising man attempting to write his first novel in the little artist’s colony of Ajijic.” It was first published in New World Writing #13 (Mentor, 1958).

swarthout-milesMany years later, after Miles became a successful screenwriter, he turned his father’s short story into a screenplay called Convictions of the Heart. Miles Swarthout adapted a number of his father’s novels into films, among them A Christmas to Remember for CBS in 1978. Miles wrote a regular Hollywood Western film column for the Western Writers of America’s bi-monthly magazine, The Roundup, and contributed several articles to Persimmon Hill, the quarterly magazine of the National Cowboy Hall of Fame, including “The Westerns of Glendon Swarthout” for  the special summer issue of 1996.

Miles also edited a collection of his late father’s short stories,including Ixion, as Easterns and Westerns (Michigan State University Press, 2001).

The screenplay, Convictions of the Heart, “tells the emotional tale of a romance gone bad in Mexico, between Johnson, a thirty-year-old advertising copywriter from Cleveland attempting to write his first novel, and Irene Temple, a middle-aged socialite fleeing a boring marriage in NYC. Mrs. Temple has two daughters in tow, Sheila, 8, and Sara, 6, who have led an untamed life for over a year on the shores of Lake Chapala, Mexico’s largest lake, an hour from their second largest city, Guadalajara.”

In the short story, Irene Temple is aged 35, Johnson 29 and the two girls  7 and 6, respectively. There are, inevitably, some more significant, differences between the original short story and the screenplay. For example, in the screenplay, the character of Irene’s former lover Paco Marquez is fleshed out, and he plays a much larger role than in the original story. The screenplay includes a new scene in which Johnson comes to “fisticuffs one drunken night with her former local lover, Paco Marquez” and subsequently “spends the night in Ajijic’s jail”.

“Johnson slowly realizes that his writing career is drying up faster than Lake Chapala, and this tale’s poignant climax is a warning to impressionable young artists about getting sexually involved with their neighbors, to the detriment of their art and their life. Johnson learns a hard, tragic lesson to the final tune of Kenny Loggins’ hit song, “Convictions of the Heart.” And the viewer is reminded of French philosopher Blaise Pascal’s famous maxim, that “the heart has its reasons, that reason knows nothing of….” (Screenplay description)

To the best of my knowledge, this screenplay has never been produced, though such a movie would surely strike a chord among the many Americans who have experienced romantic challenges as they tried to re-invent their lives in Mexico. It could be time for a kickstarter campaign…

Other twentieth century novels set largely, or entirely, at Lake Chapala include:

Sombrero Books welcomes comments, corrections or additional material related to any of the writers and artists featured in our series of mini-bios. Please email us or use the comments feature at the bottom of individual posts.

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